38 безплатни аудиофайлове за "Convolution Reverb"

Experimental irs for convolution reverbs.

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

Clapping in echoey spots to capture the impulse-response. You can map the contours to make your own convolution reverbs.

Reverse reverb vox fx designed witch a convolution reverb and a noisy synh vox sound.

Layered percussion hits processed with vocoder, convolution, and reverb. 120 bpm.

Balloon pop to map the reverb in a space, you can then use it to make your own convolution reverbs.

Footsteps in a large, echoey stairwell. Clapping to edit for convolution reverb. Sony m10. 2012.

This is a long sample i took from a park while my kids were playing. I processed it through a convolution reverb with a percussion tone as the convolution file. Very strange musical feel to it.

Low mechanical drone created in pro tools using modulating white noise and convolution reverb.

A recording of me whispering, then layered four times and a convolution reverb effect added. Recorded using an mxl v63m condenser mic through flstudio.

One shot recorded through fl studio and pitched down. Tail is created by convolution reverb.

Impulse response of a 1986 alesis microverb on the large 2 setting. Recorded through a tascam us-1641 into studio one 2, convolution done with voxengo deconvolver.

A recording of a re verb from a british spring put through a convolution re verb loaded with a tunnel impulse made in bristol.

Convolution with the impulse response of the 3r floor from pompeu fabra university (poblenou, barcelona) and https://www. Freesound. Org/people/inspiredfunk/sounds/66352/.

This sound is build from a roland v-synth sample and processed using ableton live effects such as the convolution reverb.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with a sony d100. Self-reminder to bring more balloons next time.

This is a recording of a manic, non-melodic whistle processed with convolution reverb. Good for scary themes, like when the killer is approaching.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with primo em172 omnis plugged into a sony d100. Self-reminder to bring more balloons next time.

An evolving bass/pad i patched using subtractive synthesis. Convolution reverb added as well as some subtle distortion and post synth filtering. Please give me a mention if you use this :-).

I loaded a slew of random ir files into kontakt, played them through other irs and into the plate140, fairchild, and neve1073 plug ins off the uad card. Then i selected 5 good hits and applied logic's offline compression and destructive fade envelopes. I loaded them into space designer and it produces deep/bright/spacious reverbs.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Two seperate recordings of an old computer with a tweeter wired as a microphone, then hard panned, compressed, saturated, filtered and run through a ms-modifier a phaser and a 15 second long convolution reverb.

Ambient foley, recorded myself playing the piano on an old 80s cassette recorder. . . Stretched it and ran it through a convolution reverb. This is the result, almost sounds like the intro to a burial track. Would work great in ambient music.

The sound of a creaky door, recorded with my zoom h5. Processing: noise-removal (reafir), mild compression/coloration (molot vst), and convolution reverb (reverberate core; factory preset: medium plate ts).

Sample-looped sound of a forcefield. Generated by zynaddsubfx using fm synthesis and then applying a custom-created impulse response sample with convolution reverb procesor (ir). Captured, edited and normalized with audacity.

Just some recording of a dried, brittle chili pepper with little seeds inside - up way way close to the mic (a zoom h2n). Some suggested sound design use cases: run this through granular fx for a nice drone texture. Use as an impulse response for a convolution reverb (then run tones through the convolution). Use as a trigger in vcv rack, allowing it's peaks to fire off samples or synth pulses. Or just use it plain within your next experimental acousmatic piece hit single.

From a distance - sounds of a civil war reenactment. Ca. 1991 near portland or. Gunfire some canons and (rebel) yelling. This part gets cut off - sorry, this was back in the days of dat. Then more individual canon and gunfire with lots of natural reverb. Actually some of this is good for convolution if that's your thing. . . .

[pl]stworzyłem to na potrzeby filmu. Chciałem się tym podzielić, ponieważ myślę, że brzmi świetnie. Użyłem kilku własnych nagrań oklasków i tłumu oraz splotu dla uzyskania pogłosu. [en]i've created this for a movie. I wanted to share it, because i think it's cool. I used several of my own applause and crowd recordings and a convolution reverb.

Believe it or not, this is a recording of a hospital reception bathroom. Recorded in mono on a samsung galaxy s10+ so the quality isn't the best, but i did some eq, some processing to make it sound more stereo, and some metallic convolution reverb, but other than that this is basically the sound as i heard it.

Format: wav - 24 bit, 48khzdescription:. A completely synthesised emulation of a fighter jet fly-by. Used ni massive to generate the sound and then processed with various modulations and outdoor convolution reverb. Note: the artefacts you hear in the sound is from freesound's own transcoding, please download to hear the audio in it's full unadulterated glory. -------------. If you like or dislike this sound, please comment on your thoughts :). .

Five minutes of rain, artificially created. Using a blue yeti usb condenser mic on the cardioid pattern, i made a 30-minute recording of sounds from my sink (drips, splashes, different faucet pressures) and cut them up into 60 files, later edited down to 20. These were layered together and mixed with white, pink, and brownian noise. Slight noise removal done. Recorded some basic mic noise, and used a subtractive processor (reafir in reaper) to remove that sound from the final mix. Convolution reverb was added for a fairly realistic set-it-and-forget-it option. I've uploaded a dry version as well.

This sound is a 1-sample long impulse at 48 khz. It covers the whole frequency range with equal power. This is a perfect sample for exciting your guitar amp or reverb unit to capture it's impulse response (ir). You can also play it through a speaker in a reverbant room to capture it's reverb characteristics. Remember that the ir sample will be no flatter than your speaker's performance multiplied by your microphone's performance (frequency response characteristics). The sample has exaclty 1 second of silence, then the impulse, then another second of silence to ensure the impulse will be played clean and untruncated on any sound system or device. My test with ir lv2 convolution plugin have proven, that this sample has absolutely flat frequency response - convolved signal was identical to the source signal. After normalization and sample-alignment of the sound clips i have inverted the polarisatin of one of them and summed them - result was absolute silence, even no hiss was present as a result. This shows the accuracy of the convolution process and proves this sound to be perfect for sampling ir. The impusle was generated with c* dirac ladspa plugin. Created using audacity.

This was originally a friend's cat meowing but it has been processed heavily. First, it was put through a granulizer and the pitch was dropped -2 octaves. The sample was then panned l-r using automation, and bitcrushed. Lastly, to get a slight detuned feel, i added a chorus effect. This sample sounds even better with some convolution or hall reverb but i left this effect out since it's usually a effect users want total control over. The end result is a strange, alien sounding noise.

Format: wav - 24 bit, 48khzdescription:a sound-to-image processing using fft. Sounds like aliens communicating in a cave or underwater environment. Added convolution reverb. The image used was a photograph taken by martin popek called "red sprites" attached below is the modified version i used for conversion. . Retrieved from http://spaceweathergallery. Com/indiv_upload. Php?upload_id=117053. -------------. If you like or dislike this sound, please comment on your thoughts :). Reminder:this upload is cc0 and in the public domain, so use to your heart's contempt.

Hi guys, i'm back. For years i haven't uploaded any sounds except my news themes, (thanks to you for your nice comments and thousands of downloads)now i give you an impulse response i made to check how my mixes would sound on a typical living room audio setup (but listening with headphones). The chain: technics hifi-system, multi-cone speakers, audix reference microphone, focusrite preamps. To use it like intended, just load this file into a convolution plugin in your master insert. You'll hear your mix like sitting. . . Well. . . In my living room. It'll sound muffled to you, that's because i captured the ir and all the reflections with an omni-directional mic and i have thick curtains ;-dof course it can be used as a really, really nice and natural-sounding ambience ir, too. Use it as an aux-reverb).

This is an alarm based on what we can hear here in huy, ben-ahin or anywhere near the nuclear power plant of tihange (belgium). I wanted a good quality recording of that but i didn't found it so i tried to remake that. ^^i will try to record that alarm next time it's the test. Here is a video (not mine) where you can hear the alarm test : https://www. Youtube. Com/watch?v=bvejbt-_d-4i used this sound : https://www. Youtube. Com/watch?v=akwne8eukcqwith some effects like convolution reverb of max for live or frequency shifter. I made that with ableton live 10.

Recorded with my iphone in an empty classroom that was surprisingly breezy given. . . . Y'know. . . Indoors. I couldn't even begin to describe exactly what i did to that recording, but i do remember manipulating it through audition using lots of weird dynamic processors, eq's, and convolution reverbs.